Tags: AI

Zero Tolerance for Cancel Culture.

On October 5, 2017, The New York Times published shocking allegations about Harvey Weinstein’s sexual predation. Four months later I hosted a RamsayTalk with the co-author of that piece, Jodi Kantor. She noted that the pendulum had already swung from silence to zero tolerance.

She told a story of a notional office party where the CFO drank too much and made an unwelcome advance to a female colleague. She complained to HR. He was immediately fired, couldn’t get a job, lost his accountant’s license and left his family and life in ruins.

Some would say he deserved all that and more.

Jodi Kantor said, before #MeToo became a movement, and long before she co-wrote She Said, and won a Pulitzer Prize for breaking the Weinstein story: “Likely all the woman really wanted was an apology.”

Read on…

“More immigrants, more restaurants”

The New York Times’ food critic Sam Sifton blurted that out at a Toronto symposium back in 2018 when he chaired a panel with three Syrian refugees, all of whom were in the food business.

Sam was comparing Canada’s role in immigration to America’s where, in those mid-Trump years, “immigrant” was a loaded word, as it is now in the run-up to what could be the Trump II era. Back then, Canada took in as many refugees as America, a country with ten times the number of people. So Sam was happy to tout immigrants as a universal solvent here in Canada instead of the universal problem they seemed to be elsewhere back then – and are viewed as today.

But if a week is an infinity in politics, four years is…an infinity to the power of infinity.

Today, a record 55% of Americans view large numbers of immigrants entering the US illegally as a critical threat to the US’s vital interests. In Canada, the issue isn’t illegal immigrants; it’s immigrants, period. 

Not Novelty Seeking

I was on a flight home from Frankfurt last week playing with one of the things Air Canada got right: its storehouse of movies you can watch for 8 solid hours. But rather than try to find a new first-run film I’d never seen, which all looked like lighter-than-air objects, fluffy and predictable, I did the opposite.

I went on the hunt for my favourite old movies, like Bonnie & Clyde and Catch Me If You Can and Dog Day Afternoon and Field of Dreams, Gladiator, and A Few Good Men. I didn’t want to see these faves in their entirety; I just wanted to see my favourite parts, the scenes whose action and dialogue will forever be imprinted in my brain.

Like when Bonnie and Clyde die in a hail of bullets.

When FBI agent Tom Hanks catches up to fake-pilot Leonardo di Caprio and says: “Nobody’s chasing you.”

When bank robber Al Pacino says: “Kiss me….When I’m being fucked, I like to get kissed.” 

When dreamer Kevin Costner hears: “If you build it, they will come.”

When gladiator Russell Crowe says: “My name is Maximus.”

And of course when Marine Colonel Jack Nicholson says to Tom Cruise: “You can’t handle the truth.”

I enjoyed my tour of great scenes from memorable movies enormously.

Rummaging around in these old scenes, and who I was when I first watched them, was new for me. It was much much more fun than trying to focus on the thin gruel of bot-like dialogue and stick-man actions in so many new films.

Last to survive

“Last to Die” is a form of life insurance, like its cousin “First to Die”.

But with people dying much later in life (if you’re a baby girl born this morning in Toronto, the chances of you living to be 100 are 1 in 3), I’d like to expand the idea of “Last to Die” beyond life insurance into a cash award called “Last to Survive.”

It can be for any group of people bound together not by blood, but by camaraderie and interest, and “it” can be a joint savings account, mutual fund, or other recognized financial vehicle: that is, anything you can contribute to over time.

Many of life’s most tight-knit groups form when we’re young. High school and university friends. Sports team. Military buddies. Sorority sisters. Political interns. Biker gangs. String quartets. Sous Chefs. Knitting groups. Book clubs. Jewel thieves. Big brass bands.

All it takes is a 50th reunion to remind you just how enduring those bonds are and how regret tinges our memories for not having made them stronger before now. And now, hell, everyone’s getting sick and dying. Okay, not everyone. But when you’re 74 like me, it feels that way, especially for our friends whose old age is not their golden years but their tin cup ones. 

Some of us boast morbidly that our retirement plan is Lotto 649. But the odds of any of us actually winning that jackpot are 1 in 14 million. The entire population of Ontario is around that. So, no, you won’t win.

Read on…

Air Apparent

Back in 2019 when newspapers were made of paper, I would take part in an annual ritual of disbelief: I’d turn the page of The Globe and Mail and there would be a full-page ad for Air Canada congratulating itself for being voted the Best Airline in North America.

I would quickly check to see if it was April 1st. Then I would read the small print to find out who gave them the award for four consecutive years from 2019 to 2022.

It’s a magazine called Global Traveler for “U.S.-based frequent, affluent travellers”. It claims the  average Global Traveler reader has a net worth of $2.8 million. Yes, Air Canada’s business class is….respectable. But the Best in all Classes in North America? Puleeeeze.

True, this was before Air Canada reduced its routes; slashed the value of Aeroplan Miles; made spontaneously cancelling flights a sunny-day activity; amped fares; admitted its Montreal-based CEO, Michael Rousseau, can’t speak French; saw customer complaints to Ottawa rise from 18,000 in 2020 to 30,000 in 2022, then 57,000 last year; fought to avoid offering refunds if a flight failed to take off; and claimed its own chatbot was “a separate legal entity that is responsible for its own actions;” before all this, Canadians had a love-hate relationship with our national airline.

Read on…

Gold for Gould.

The philanthropist Arthur Labatt noted that Canada has so few institutions that can stand up straight on a global podium, we need to do everything we can to ensure they survive.

Last week’s budget offered one of those institutions that chance. Ottawa gave The Glenn Gould Foundation $12 million.

Even though the Toronto concert pianist Glenn Gould died 42 years ago at the age of 50, his name shines brightly the world over – not in spite of his many quirks and eccentricities, but likely because of them. He loved recordings and hated live audiences (and told them so); he wore mittens in hot recording studios; and he hummed loudly while he played. But his genius at interpreting composers like Bach; his unyielding sense of what’s musically right (which caused even the mighty Leonard Bernstein to back down); and his album cover notes which codified his views on the future of music – make him 92 years after his birth a very big planet indeed.

Indeed, in the galaxy of music, Gould remains a god. When the Russian conductor Valery Gergiev performed in Toronto, he would go to Gould’s gravesite in Mt. Pleasant Cemetery to pay his respects.

Read on…

Women, enter stage left.

I hosted a RamsayTalk last week about AI.

Nothing new there. The world is awash in AI pundits, AI books, and AI doom and rapture.

What was new is that the speaker and author of AI Needs You, a big important book about AI, is a woman. Indeed, Verity Harding is the woman in the arena when it comes to tech’s latest save-the-world-end-the-world invention.

I asked her a couple of months ago who she would like to interview her from the stage, and instantly she said: Diana Fox Carney.

So there were 325 of us in the Bader Theatre last Wednesday watching two deeply expert and authoritative women discuss the prospects of an industry almost totally dominated by men.

Read on…

Am I a whiner to mourn the death of my diner?

The news that Flo’s Diner in Toronto had closed hit me hard. But why? It was just a diner.

True, I’ve eaten there since it opened on Bellair in 1991, and long after it moved to 70 Yorkville. I was a regular and wore my old-guy-corner-booth-bacon-and-eggs persona like a medal. Not for me The Four Seasons or Park Hyatt, where a piddly bowl of porridge and coffee will now set you back $40.

I’ve always been a diner guy. Years ago, Brothers on Yonge just below Charles was my eatery of choice. It was run by two brothers who kept baseball bats behind the counter to go after anyone who forgot to pay. No one forgot to pay. But Brothers closed long ago, and the idea of opening a diner today seems as viable as the idea of buying a stick-shift car or a Hungarian restaurant on Bloor St.

Flo’s co-owner Pierre Hamel said it was a dispute with their landlord that led to its closing and laying off 15 staff. Hamel said: “We came out of COVID really, really strong, and we would like to stay as long as we can.”

Read on…

The Personal Sacrifices.

There’s not a government on earth that doesn’t have political staffers. History and Shakespeare are littered with them. Their job is to keep their leader in power. Occasionally, they need to speak truth to power so their leader doesn’t go off the rails. But in Canada today, the Prime Minister’s staffers face a very different task: speaking truth to lack of power.

The number of Presidents and Prime Ministers who, when their prospects for re-election looked dim, took their staffers’ advice and left with their heads held high in order to avoid a bloodbath at the polls  is vanishingly small. This is because power is not just an aphrodisiac, it’s the crack cocaine of occupations.

So asking Justin Trudeau’s Chief of Staff, Katie Telford, to take him for a walk in the snow, just like his father did on Feb. 28, 1984, and decide not to run again, I don’t think that will happen.

Read on…

Negotiate up, not down.

Twenty years ago we took the Hurtigruten, Norway’s storied sea-ferry service, up the Norwegian coast, docking at tiny towns where it delivered mail, passengers and freight. At most of these often isolated ports, we were greeted by a brass band playing Norway’s national anthem, sometimes a boys and girls choir, and even the mayor wearing their ribbon of office. It was a big deal for these small places.

Last week on a Lindblad Expedition, the National Geographic Orion docked in Samoa, on our way from Fiji to Tahiti. We were greeted by a band playing traditional Samoan music and a troupe of male and female dancers wearing leis and grass skirts. They performed for 20 minutes just for us.

But this time our reaction to the local citizenry greeting a visiting ship was ….mixed. Should the 59 of us onboard feel guilty for enabling an old trope between oppressor and oppressed? Or should we feel good that we’re helping Samoans promote their Indigenous culture via traditional regalia and age-old dances?

I say good.

Read on.

“They are not failed versions of us.”

Anthropologist Wade Davis’ famous dictum in The Wayfinders on the wisdom of indigenous cultures hit home when we heard a talk off the coast of Fiji this week onboard Lindblad Expeditions’ National Geographic Orion.

It was about how the Polynesians discovered thousands of islands across the Pacific Ocean hundreds of years before European explorers dared to take their own boats beyond their home shores. The Polynesians, who had come from the area around what is now Taiwan, navigated an ocean that is larger than the landmass of all the continents combined.

Read on…

Is this the golden age or dark ages of the arts?

Last Saturday night, we attended a performance by a baroque music group in a church on Bloor Street in Toronto. Even in the plumpest of times, the music of 17ᵗʰ and early 18ᵗʰ century Europe is both an acquired taste and a deep and narrow passion. No ERAS tour for concerti grossi. Yet there were 600 other baroque fans who stood and whistled and cheered at the concert’s end just like they did at Koerner Hall the night before for Joshua Redman.

I hadn’t heard Tafelmusik in many years and was surprised that this is their 45th anniversary. As I heard its 16 musicians playing on baroque instruments like the theorboand the viola da gamba, I was struck by how daring and different their concert was. Different sections played from different parts of the church, not once, (ho hum), but often. The cellist played standing up. (When was the last time you saw a cellist who was not sitting down?) The ‘conductor’ explained every piece before it was performed. Everyone on stage was having fun.

RamsayWrites

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